Eye of the Beholder- Look, See, Pray

Cotswold Landscape

How do we decide what is beautiful? Here are two photographs, one a landscape taken in the Cotswolds. The other- an abstract view of beach huts in Bognor.

Beach Huts in Bognor Regis- rear view.

Which is more beautiful? I have no idea what you will say. Guessing, I think more people probably will prefer the landscape. It is the kind of rural scene that John Constable painted; dramatic skies, big trees, everyday scenes which (almost) idealise the English countryside.

Others may be drawn to the bright mix of colours, geometric shapes, and the abstract viewpoint which makes the onlooker interpret their own meaning in the image.

Things that may influence our choice will be very varied. Background, education, artistic gifting, training, what we expect a picture to be… Or what if colour-blindness affects us?

I discovered I loved John Constable’s paintings when I was about 14. A breakfast cereal company offered tokens: when a certain number were collected, I was sent a copy of “The Haywain.” Loved it! Then I acquired the “Cornfield”. Still the vouchers kept coming (a family of six gets through cereal quickly) and I rashly ventured out in a new artist… Turner’s “Fighting Temeraire.” It was different, yet familiar, and the colours and lighting… well, wow!

My art teacher at school taught us about the Impressionists. Initially, I was underwhelmed. I didn’t get it. I couldn’t recognise what I was looking at! He persevered with our youthful and developing brains, and Monet and Manet and Van Gogh entered our appreciation zone.

Then we came across Picasso. It just seemed WRONG.

Yet friends of mine loved his work. Strange world, odd people… How far can “art” go before it becomes no longer art? Is that even a reasonable question to ask?

Now, I have my preferences and my favourites, and I have learned to appreciate some art that seemed challenging at first. At least I have learned how to look. No doubt we all have different things that make us go “ahhh” and others that get the response “yuk.”

But when we look at a painting, a photograph, a sculpture, a tapestry, we have a moment in which we can learn, we can be stimulated, challenged, and inspired. Similarly we can read, or listen to music, or use our own creativity: that’s wonderful. These are all ways in which we interpret our world and find beauty in living. But why do we bother?

Because “beauty” is a soul-food. Beauty is one of the ways God touches our deep inner being; in nature, art, music, poetry we can experience an other-worldliness, even a transcendent “lifting” of our spirit into a moment of being God-present.

Here is an ancient expression of this: look at something you find beautiful, and read these words: “O Lord, our Lord, your majestic name fills the earth! Your glory is higher than the heavens… When I look at the night sky and see the work of your fingers- the moon and the stars you set in place- what are mere mortals that you should think about them, human beings that you should care for them?” (Psalm 8:1, 3-4, NLT)